Costume and theatre artist Mare Raidma's director's debut. A short film about the transferral of the teenager girl's childhood traumas to adulthood.
The debut film by director Jüri Sillart depicts an Estonian village on the fatal day of March 25, 1949, when ten thousands of people were deported to Siberia.
The second full-length feature film directed by Hardi Volmer is an adventure comedy telling the story of Aleksander Kesküla, the legendary Estonian nationalist in early 20th century, and about his international intrigues when trying to form an independent national state.
In the area surrounding the Dominican monastery in the heart of Tallinn, unique spiritual and cultural life has emerged that influences the entire city.
Three seasons, three love stories from Estonia, Latvia and Lithuania during the era of great changes in 1991 when the Baltic states freed themselves from the yoke of Soviet Union and regained independence.
Three seasons, three love stories from Estonia, Latvia and Lithuania during the era of great changes in 1991 when the Baltic states freed themselves from the yoke of Soviet Union and regained independence.
Three seasons, three love stories from Estonia, Latvia and Lithuania during the era of great changes in 1991 when the Baltic states freed themselves from the yoke of Soviet Union and regained independence.
It is a parody of a classical action film. The sequense of events is launched by a huge cabbage head growing on a plot land that belongs to a poor peasant estonian woman.
Film about conflict between young and old generations.
The first full-length feature film directed by Tõnu Virve is a collection of fragments inspired by the painting "Danse Macabre" ("Dance of Death") by Lübeck painter Bernt Notke, telling the speculated version of the painting's journey to Tallinn.
Instead of joining the collective farm, Karl Peterson chose threats, penalties, deportation and prison as he wanted to live as a free man in a free country.
A film about an elderly Russian woman who was an industrial worker in Estonia. Despite her hard existence and horrible working conditions she trusts in God and human cordiality. The film is part of a series of portraits by the Lintrups (who also made cogito, ergo sumof elderly and somewhat strange Estonians that relate the history of this small ethnic group.